Entry tags:
- !route_29,
- *canada | axis powers hetalia,
- *china | axis powers hetalia,
- *claire bennet | heroes,
- *dale cooper | twin peaks,
- *envy | fullmetal alchemist,
- *jeanne d'arc | afterschool charisma,
- *merlin | merlin (bbc),
- *miles edgeworth | phoenix wright,
- *romano | axis powers hetalia,
- it... hurts...,
- oh god why,
- this france is dramatic
[Post 020] Text/Action for Goldenrod City
France has lived for a long time.
It's a difficult truth to express. Age is completely relative for him, whose body ages so minutely a human lifetime wouldn't notice. He isn't even entirely sure of how many years have passed before his eyes, not exactly, not anymore than he can be certain of how he came to be. Those early years, when Paris was still fields and forests, are lost even to him; at best, they are half-remembered visions that might have been imagined from stories told in his youth.
And even that "youth" is a relative term. He does a lot to make himself look older. The stubble only started growing during the later 1800's, and he clings to it, this tiny marker that he is older, that the world has changed from when he was innocent and young and, at times, utterly insane. He wants so badly to believe that yes, I, too, grew up, that yes, I, too, have the capacity to change, that it's alright (or it will be, one day).
But it isn't alright, not really.
France has always lived without regrets.
Maybe it's because he's lived so long; maybe it's because he's arrogant; or maybe it's even because this is just how France is. He couldn't be himself if he harbored regrets, if he let them fester inside of his heart, poisoning, curdling, rotting against his ribcage until the only thing that would be left would be a tattered and putrid shell. And so he doesn't regret, won't let himself, because such an existence wouldn't be beautiful, wouldn't be French.
Instead, he wishes. Wishes are full of all sorts of things, of dreams and love and humanity. Wishes can be bitter, too, but not poisonous like regrets, so France wishes for many things. Sometimes, he wishes for food, for shelter, for water, for warmth, for cold. But, more often, he wishes for simpler things. He wishes for friends, for lovers, for family and children and something to hold and cherish as his own.
Because these are the things he calls beautiful.
France was never good at it, the loosing people thing. Out of all the Nation's he's ever met, he's really exceptionally bad at it. As a Nation, it's normal to outlive all other living things. It's too painful to have to grieve the death of each human, to watch so many people and creatures and things pass out of their lives. This is why France tries his best not to get too attached to anything or anyone.
But France loves.
If there is anything France is guilty of, then it would be love, and attachment is essential to love. It creates the threads that bind a person to another, weaving inbetween and blossoming out of the cracks, like ivy running up the sides of a brick house. Each memory, each touch, each sound or smell or sensation that is associated with another being; that is a thread, that is an attachment, that is love, and that is what France does:
He loves.
He leans against a street lamp, humming to himself, the heel of his left boot beating time against the metal base, his head tilted up to watch the street lamp's bright, unchanging light. Every now and then, he makes to move and then settles back against the lamp post, going back to humming the same song over and over, not really thinking about it.
I promised I would stay...
He closes his eyes after a while, closes them and laughs, unevenly, under and over his own breath. The volume gradually builds, and he's not entirely sure if he's laughing or choking or screaming, not anymore, not now, not ever because the world has gone mad, and this is where love has brought him, to this place where the sidewalk ends.
I stayed.
A handful of hundreds of years ago, when he was still young and unattached, he might have been able to adjust to this place and not just survive. The world had seemed wider then, or more simple, at least in an roundabout sort of way. France isn't sure when things changed. Maybe it was when gas became the order of the day, or when total warfare was no longer a theory, or when he looked up and saw a man in a balloon soaring up
up
and up
into the sky.
Canada's things are still there, parts and pieces scattered about the hotel room.
France doesn't know what to do with them.
Maybe he'll have Marianne burn them and destroy all traces of the boy and the memories of what they shared, or, maybe, he'll hold onto them and act like maybe Canada will come back one day, some day, and let his self-deception grow further.
Or, maybe, he'll open the wine bottle in the fridge and drink it all down, drown it all out. He'll make tonight easier and tomorrow harder, when he has to remember, has to hurt, and has do something at the same time.
Or, maybe, he'll just sit among all these pieces
all these little memories that he loves
strewn out and around the room,
tossed around and held close,
knees against his chest,
hands in his hair,
and just
cry
[Public Text]
Canada's gone. Sometime in the night. He wasn't kidnapped. I would have heard him. I would have known. He's gone.
[Private Text to Envy]
Can you stay over tonight?
It's a difficult truth to express. Age is completely relative for him, whose body ages so minutely a human lifetime wouldn't notice. He isn't even entirely sure of how many years have passed before his eyes, not exactly, not anymore than he can be certain of how he came to be. Those early years, when Paris was still fields and forests, are lost even to him; at best, they are half-remembered visions that might have been imagined from stories told in his youth.
And even that "youth" is a relative term. He does a lot to make himself look older. The stubble only started growing during the later 1800's, and he clings to it, this tiny marker that he is older, that the world has changed from when he was innocent and young and, at times, utterly insane. He wants so badly to believe that yes, I, too, grew up, that yes, I, too, have the capacity to change, that it's alright (or it will be, one day).
But it isn't alright, not really.
France has always lived without regrets.
Maybe it's because he's lived so long; maybe it's because he's arrogant; or maybe it's even because this is just how France is. He couldn't be himself if he harbored regrets, if he let them fester inside of his heart, poisoning, curdling, rotting against his ribcage until the only thing that would be left would be a tattered and putrid shell. And so he doesn't regret, won't let himself, because such an existence wouldn't be beautiful, wouldn't be French.
Instead, he wishes. Wishes are full of all sorts of things, of dreams and love and humanity. Wishes can be bitter, too, but not poisonous like regrets, so France wishes for many things. Sometimes, he wishes for food, for shelter, for water, for warmth, for cold. But, more often, he wishes for simpler things. He wishes for friends, for lovers, for family and children and something to hold and cherish as his own.
Because these are the things he calls beautiful.
France was never good at it, the loosing people thing. Out of all the Nation's he's ever met, he's really exceptionally bad at it. As a Nation, it's normal to outlive all other living things. It's too painful to have to grieve the death of each human, to watch so many people and creatures and things pass out of their lives. This is why France tries his best not to get too attached to anything or anyone.
But France loves.
If there is anything France is guilty of, then it would be love, and attachment is essential to love. It creates the threads that bind a person to another, weaving inbetween and blossoming out of the cracks, like ivy running up the sides of a brick house. Each memory, each touch, each sound or smell or sensation that is associated with another being; that is a thread, that is an attachment, that is love, and that is what France does:
He leans against a street lamp, humming to himself, the heel of his left boot beating time against the metal base, his head tilted up to watch the street lamp's bright, unchanging light. Every now and then, he makes to move and then settles back against the lamp post, going back to humming the same song over and over, not really thinking about it.
He closes his eyes after a while, closes them and laughs, unevenly, under and over his own breath. The volume gradually builds, and he's not entirely sure if he's laughing or choking or screaming, not anymore, not now, not ever because the world has gone mad, and this is where love has brought him, to this place where the sidewalk ends.
A handful of hundreds of years ago, when he was still young and unattached, he might have been able to adjust to this place and not just survive. The world had seemed wider then, or more simple, at least in an roundabout sort of way. France isn't sure when things changed. Maybe it was when gas became the order of the day, or when total warfare was no longer a theory, or when he looked up and saw a man in a balloon soaring up
and up
into the sky.
Canada's things are still there, parts and pieces scattered about the hotel room.
France doesn't know what to do with them.
Maybe he'll have Marianne burn them and destroy all traces of the boy and the memories of what they shared, or, maybe, he'll hold onto them and act like maybe Canada will come back one day, some day, and let his self-deception grow further.
Or, maybe, he'll open the wine bottle in the fridge and drink it all down, drown it all out. He'll make tonight easier and tomorrow harder, when he has to remember, has to hurt, and has do something at the same time.
all these little memories that he loves
strewn out and around the room,
tossed around and held close,
knees against his chest,
hands in his hair,
and just
cry
[Public Text]
Canada's gone. Sometime in the night. He wasn't kidnapped. I would have heard him. I would have known. He's gone.
[Private Text to Envy]
Can you stay over tonight?
[Action]
I'm sorry.
[Action]
[France is huddled up on his bed, hugging the teddy bear he'd given Canada for Christmas over his face. His voice is rather muffled.]
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[Action] I never thought I would use this icon for anything ic...
[Action] lol you and that icon X3
[Action] I'm rather fond of it :333
[Action]
[text] ;A;
I'll come over now if you want [He almost types 'are you okay', but it seems like a stupid question. He's very worried about you right now, France.]
[Text] T^T
[Envy's worry is greatly appreciated; France might not be able to express that well, though.]
[Action] we can also do prose if you want?
[Action] Up to you! I'm game for both 83
[Action] I-idk we can change later if necessary
[Action] Okay~ 83
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I'm sorry this is a text. I don't look good right now.
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Cooper doesn’t sleep well. He doesn’t sleep well, and he’s restless. It’s a bad combination for an over-active mind, but it’s something he’s dealt with for years now. Being in Johto helps just as much as it doesn’t, and despite everything, he feels that little has changed in him.
What’s changed around him, on the other hand ... Goldenrod is nothing like San Francisco, despite the similarities. And walking the streets of the city with an unfamiliar moon overhead (he can’t find the same craters in it as he could back home) he’s struck by the notion of fate.
He’s not sure if he believes in such a phenomenon, but some things seem too incredible to count for anything else. Chance is only coincidence by another name. The line between a simple coincidence and fate or interference is blurry at best, but it’s nothing he wants to pay too much attention to in this particular moment.
Then again, it could be neither of these things. It could simply amount to two men on the same street in the lights and shadows of a different world, with little more between them than many shared words.
“France?”
The name is thrown carefully and lands somewhere by the blonde’s feet, for him to pick up or not.
[Action]
He makes a motion at Cooper to show that he knows the other man is there. He giggles on himself, eyes shut and breathing unevenly to try and staunch the tears, and it's an utterly pathetic position. Perfect for the protagonist in the opera, on the verse of the final aria.
He's not entirely sure what he's thinking about anymore.
[Action]
"Francis", he tries. "Tell me what's happening."
And even if his voice is steady, he can't cover up the sense of urgency his tone carries, that reveals his alarm.
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[Yes; it's the best.]
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Text, because he's not going to just ignore this. Because Miles, too, knows the pain of losing someone dear, and he knows about the amount of affection France held towards the Canada he never met. Because France was somebody Miles cared about - his "brother", even if Miles doesn't feel comfortable admitting how much France's friendship means to him.
He doesn't beat around the bush, doesn't try to sugarcoat anything, doesn't try to comfort someone about something he knows comforting won't help. Loss was something that had to be dealt with by facing up to it.]
What are you going to do, France?
[Text]
[It's not the most coherent of messages, but France feels like he needs to tell Miles that he's doing something. Miles is his little brother, too.]
[Text]
You might be able to fit them in a bag. Is there anything perishable?
[Often times Miles is grateful for the logic and reason he inherited from his lawyer father, a skill polished by his teacher. It helped to think tangible thoughts, and to just believe in France.]
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Do you want to talk? Just between us?
...
As Nations? Or... as ourselves?
[He doesn't have to be there in person to know how France was feeling right now.]
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May I ask you a personal question?
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France... Je suis désolé...
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Ça va aller; ce n'est pas ta faute.
[[OCC: Trans. I'll be fine; it's not your fault.]]
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He could send a message, he thought as he stared at the screen of his pokégear. He could do that or (maybe) he could go see that man in person. It wasn't as if their rooms were so far apart. He held the gear close to his side and made the short trip from his room to France's. Romano pressed himself against the door of France's room and tried to listen for the other man. What if he opened the door and France wasn't inside? What if France was gone too? Sure, he sent a message not long ago, but what if during that time he had left. What if he had gone and left Romano in such a large city? He hesitated, afraid of what could be lurking behind that door. He was afraid of receiving no answer, afraid of being alone.
Gently, Romano knocked on the door and held his breath.
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"Sorry, Romano..."
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